Against Gun Control in America :: Second Amendment The Right To Bear Arms

Constitutional Law Gun Control Paper Gun control is undoubtedly an issue that most Americans have been exposed to. In 1989, guns killed 11,832 Americans. The National Rifle Association (NRA) members believe that it is their constitutional right to own guns, stating that guns are not the root of the crime problem in the United States. Gun control activists like the members of the Coalition to Stop Gun Violence (CSGV) argue that guns are responsible for the majority of violent crimes that take place. They wish to instill many types of bans and waiting periods on firearms, making it nearly impossible to obtain a handgun. In fact, in 1993 the Brady Bill, which mandates a waiting period on buying firearms, was passed. Their arguments range from protecting children to saying that guns are diseases, but when one looks at the facts, though, the arguments of gun control advocates seem irrelevant and it becomes clear that guns should not be controlled. The Supreme Court has been very careful in limiting the rights of individuals to carry firearms. They have also been debating about weather the framers intended the Second Amendment to apply to individuals, or to state militias. In U S v. Cruikshank, 92 U.S. 542 (1875) the court ruled that laws could be passed regarding gun control. The court said â€Å"The right they’re specified is that of 'bearing arms for a lawful purpose.' This is not a right granted by the Constitution. Neither is it in any manner dependent upon that instrument for its existence.

Amiri Baraka- Black Arts Movement

The Black Arts Movement Experience The spirit of the 1960s’ Black Arts Movement is captured in Amiri Baraka’s â€Å"AM/Trak,† which addresses the theory of the underlying relationship between art and culture. This simple theory of how culture works and how art reflects and influences the culture that produces it was the whole purpose of the literary movement led by Baraka. In order for one to understand their own experiences, they must acknowledge what factors have influenced how they have shaped their lives.By doing so, they will self-consciously discover and create themselves. The basis of Baraka’s poem, â€Å"AM/Trak† illustrates the defining concept of the Black Arts Movement; the notion of creating identity influenced by experiencing racial and social alienation. The development of a modernized black culture is continually drawn to question because there are many outliers that can influence the basic fundamentals of experience. â€Å"What make s experience such an important concept for Baraka is how it frames the relation between the individual and the collective†(Punday 782).The Black Arts Movement was a period of an assembled reaction against several things including the Korean War, capitalism, and the assassination of Malcom X. Although Baraka incorporates these historical events into â€Å"AM/Trak†, the history of the Beats is approached more by expressing an individual’s reaction, rather than a single technical change or influence of history on society. The appreciation of the degree of exposure from an artist or individual models how the Beats linked the identity of black culture to specific trials and tribulations.A desirable relationship between culture and society is a focalized theme in African American literature, but has been obliterated by the constant severance between historical transitions and the lack of ethical alertness (Quayson 1). Isolation of the African American population from w hite America has been influenced by harsh racism and inequality for several centuries. Although the discrimination thrived for thousands of years, the collective attitude towards the relations of the past began to deviate into a different outlook in the 1960s.The black community began to celebrate an emphasized change when exercising their self-proclaimed freedom of personal expression to improve social and economic conditions of the African American community (Yost 2). In order to establish a distinct black identity against the social reality of separation, they incorporated music, literature, and other forms of art as a way of advocating their presence not only in the United States, but the world.Baraka captures the true meaning of the new scholarly awakening with the influence of the Beat-generation by describing John Coltrane in â€Å"AM/Trak†, in which he uses a distinct style of writing to portray not only the life of the artist, but specific annotations of his music. T he musical embodiment of his work prevails that he was undoubtedly a major contributor to the spirit of the 1960s’. By analyzing Coltrane’s passion and transformation during this decade with extreme expression and struggle against racism, â€Å"AM/Trak† is brought to life: Trane was the spirit of the 60’sHe was Malcom X in New Super Bop Fire Bahhhhhh Wheeeeeee . . . Black Art!!! (152-155). The poem is a clear representation of not only the musical development of John Coltrane’s career and repressed life, but also the importance of how African-American musical expression extrapolates the expectations and contributions of individuals under the pressure of alienation (Quayson 3). According to literary critic, Henry Lacey, Baraka uses imagery to encompass the variety of ways the poem portrays the inspiring musician to be the â€Å"interpreter of the Black experience† through his music (Lacey 14).The different stages of achievements, hardships, a nd responses during Coltrane’s life are a direct narrative of the same ones produced throughout the history of the Black American life. There is an undeniable similarity of technical elements displayed in Amiri Baraka’s writing that support the same individualist revolution. One painful aspect of the African American experience begins with the lack of consciousness influenced by authority and pressure. Baraka begins the second section of the poem by describing the early experiences of Coltrane’s career in a very degrading fashion.The mood of the poem immediately digresses when Baraka mentions the names of alto saxophonist, Johnny Hodges, John Burks Gillespie, and Eddie Vinson and Blues vocalist, Big Maybelle (Lacey 15). Amiri even incorporates an allusion from Langston Hughes poem â€Å"Jazzonia,† in which he writes †Trees in the shining night forest† (Lacey 16). The tree is used as a direct reference to the lack of originality Coltrane embodi es while he works with the Joe Webb Blues Band, followed by Miles Davis.As the poem continues, the depression of the main character develops into a substance addiction and even an abusive relationship with a fellow musician, Davis. In fact, Amiri uses the word â€Å"honk† to symbolize the repetition of his continued unimportance at performances and as cry for help in the only way he knew how to; musical expressionism. It was not until Coltrane could accept his past and everything he had learned, that he could regain full consciousness of his true identity and potential future as a great musician.Similarly, the Black Arts Movement began in spite of depression and the constant repetition of haunting racism. More specifically, the death of civil rights activist, Malcom X, hindered Amiri Baraka’s determination to reform the presence of the African American culture in the United States. Consequently, the African American culture endured a period of recovery, as did Coltrane . Coltrane quest to continue searching for his identity as a musician began again by joining Thelonious Sphere Monk, co-founder of bebop, in part four of â€Å"AM/Trak† (Lacey 18).Baraka’s disjunctive mood swings represent how Coltrane conveys his emotions with Monk’s unique style of expressionism and unexpected musical transitions to understand music on a deeper level. Which then leads to the entire Be-bop movement. Coltrane uses this time as a period of regaining consciousness of the experiences that have shaped him. There was nothing left to do but be where Monk cd find him that crazy mother fucker duh duh-duh duh-duh duh duh duh duh duh-duh duh-duh duh duh duh duh duh-duh duh-duh duh duh duh uh Duuuuuuuuuuuuhhhhhh (71-80). At first glance, the lines representing Monk’s compositions differ from any syntax or vocabulary used in the previous allusions. Baraka uses the distinct sounds of Monk’s work in a disjunctive manner that can only be approach ed if read aloud. When read aloud, the simple word transforms into a series of playful melodies. â€Å"Trane stood and dug / Crazy monk’s shit,† provides substantial evidence that the short time spent with Monk, Shadow Wilson, and Wilbur Ware had a lasting impact on John Coltrane’s career.In fact, it also suggests the sources essential to his success in music were also responsible for shaping his identity despite past alienation and struggle. Similarly to many African Americans during the Blacks Art Movement, Coltrane was allowed to completely expose himself. â€Å"This was Coltrane’s College. A Ph motherfuckin d / Of Master T Sphere† (100,104). As Amiri Baraka wrote the poem, he also established symbolism that the reader may relate to exemplify Coltrane’s efforts to battle several obstacles.Accordingly, in American society graduating college and especially receiving your PhD is one of the highest accomplishments recognized in our country. U tilizing this metaphor near the end of section four not only summarizes his success, but also leads the reader to question, ‘What’s Next? ’ because of the lengthy section that follows. â€Å"AM/Trak† undergoes another mood change as section five introduces the destructive forces of class struggle and maintaining true identity after being exploited by the public.Although the poem portrays the hardship of life of a musician and inspiration leader, Lacey refers to Coltrane as the â€Å"prophetic voice of his age† (Lacey 18) or as described in the poetry â€Å"A man/ black blower of the now† (121-122). However, Baraka does not immediately persuade the reader to believe that Coltrane has collectively reshaped the Be-bop movement and the black cultural identity; he forces them to establish an answer themselves based on their individual experience after reading the poem.Based on the dynamics of writing style portrayed in the poetry, Coltrane influen ces future musical generations to come with the creative features within that clearly influenced the Black Arts Movement within the text, the validity of the following quote by literary critic, Joyce A. Joyce, â€Å"An understanding of Negro expression cannot be arrived at without a constant reference to the environment which cradles it,† can be useful in making a final decision as the reader. Amiri Baraka continues the poem by concentrating the rest of the text on his own impression of Coltrane’s influence on the Blacks Art Movement, musicians, and society.He precisely acknowledges the relationship between the collective and individual response to the end of the revolution of identity and creation of the reputable quartet: â€Å"Jimmy Garrison, bass, McCoy Tyner, piano, Captain Marvel Elvin / on drums, the number itself-the precise saying / all if it in it afire aflame talking saying being doing meaning (169-171). The quartet inspired the African American community t o become believers and to preserve their true identities despite social alienation and harsh racism.If the band expressed their opinions and identity freely, then the entire black culture should have possessed the same rights without limitation as well. Fortunately, at the end of the poem, the Black Arts Movement was reflected as the turning point in accepting cultural identity; a representation of their contributions that shaped the historical experience. But did the Black Arts Movement really change â€Å"black† and â€Å"white† cultures and criticism? Literary critic, Joyce A. Joyce disagrees with the idea that white America has changed its attitude toward the African American population.Although there has been a significant transformation in the merger of black literature and white literature in our society through out the past century, African Americans are usually forced to adopt the mainstream values and lifestyles of those of in the modern American society. Joy ce disassociates Black literary criticism with mainstream analyses because African Americans have a unique duty to express their own ideas without a predetermined and uniformed consciousness based on culture or even color (Joyce 339-341).The poet’s opinions remained somewhat vague until the narration of the poem alters from Trane to Amiri Baraka, the poet himself. His vulnerability exposes his current condition and state of mind when recollecting his wearisome life compared to Trane’s portrayed personal anecdote expressed in his music: ( I lay in solitary confinement, July ‘67 Tanks rolling thru Newark and whistled all I knew of Trane my knowledge heartbeat and he was dead They saidWhen Baraka was confined in prison for the Newark riots of 1967, Lacey notes that â€Å"the poet attributes his survival to the memory of Coltrane’s music† (Lacey 19). As the poem concludes, Baraka decides to choose life over death because he is influenced by character of his own work of art and the actual inspirational of the power of his music. Most scholars would agree with Gayle, Jr. claim that, â€Å"The question for the black critic today is not how beautiful is a melody, a play, a poem, or a novel, but how much more beautiful has the poem, melody, play, or novel made the life of a single black man?How far has the work gone in transforming an American Negro into an African-American or black man? † (Joyce 340). This is perhaps an attempt to illustrate the fact that both the artist lives are surrounded by changes revolved around freedom of expression through art and alienated culture. Without enduring these experiences, good or bad, the identity of an individual cannot be defined, nor the basis of an individualistic black culture. Work Cited Lacey, Henry C. â€Å"Baraka's â€Å"AM/Trak† Everybody’s Coltrane Poem. Obsidian II: Black Literature in Review. 1. 1-2 (1986): 12-21. Print. Joyce, Joyce A. â€Å"The Black Canon: Re constructing Black American Literary Criticism. † New Literary History. 18. 2 (1987): 339-341. Print. Punday, Daniel. â€Å"The Black Arts Movement and the Geneaology of Multimedia. † New Literary History. 37. 4 (2006): 777-794. Web. 7 Dec. 2011. Quayson, Ato. â€Å"Self-Writing and Existential Alienation in African Literature. † Research in African Literatures. 42. 2 (2011): 30-45. Web. 1 Dec. 2011.

Inter Textual Synthesis Essay Essay

Kate Chopin’s novel, The Awakening, centers around the theme of discovering oneself. The book shows readers the world of Edna Pontellier and gives them a window into her numerous insecurities and hesitations. Throughout the book, Edna attempts to become the opposite of the stereotypical women of her time. She chooses to be herself instead of the socially acceptable role she is expected to be. Additionally, Natasha Tretheway’s poem â€Å"Domestic Work† and Bobby Coles’ poem â€Å"Finding Yourself† attack the issues of independence, relationships, and gender. These two poems in combination with The Awakening strive to challenge the status quo of women everywhere. In the 19th century, women were expected to be domestic goddesses. As a married woman, it was important to be a positive influence on her husband and children, but was still expected to address to her husband as the head of the household. These restrictions had many women, including Edna in The Awakening, feeling trapped. Some women felt the need to become their own person, as opposed to the woman they were expected to become. In the poem, â€Å"Domestic Work†, the reader is given a preview of a typical woman in the 1930’s: â€Å"She beats time on the rugs, blows dust from the broom like dandelion spores, each one a wish for something better. † (Trethewey 23-26). The poem displays the monotonous life of women in the 19th century, and how some women desired something more. Edna, from The Awakening, is included in the category of women who longed for a life beyond household chores. In both The Awakening and â€Å"Domestic Work†, independence and a woman’s relationships are subjects of choice. Edna feels that she should be able to be free and independent. She wants to make her own choices about men and decide on her own who she loves without anyone else’s opinion influencing her choice. When Edna starts to lose the feelings she once had for her husband, she falls for Robert Lebrun. In fact, Edna had no intention to marry Leonce to begin with; â€Å"Her marriage to Leonce Pontellier was purely an accident, in this respect resembling many other marriages which masquerade as the decrees of Fate† (Chopin 23). Edna desires to have freedom. Robert wants a marriage with Edna, which conflicts with what she wants. Her feelings for Robert are strong but Robert has mature feelings for Edna, eyond what she feels for him. Though Edna wishes she could say the same, her love for him is more an infatuation-not true love. â€Å"As Edna walked along the street she was thinking of Robert. She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession† (Chopin 71). In the end, Edna realizes she cannot have both independence and true love. She decides to keep Robert out of her life and ends up drowning herself because of the internal conflict she has endured. In the poem â€Å"Finding Yourself†, author Bobby Coles explains that a person has to reach inside himself/herself in order to discover who he/she is. Similarly, Edna and the woman in â€Å"Domestic Work† are enduring their own journey. In Coles’ poem, he intentionally writes without specificity of gender, therefore making the poem easily relatable to readers of any gender. Coles uses descriptive language to create an image of what it is like to go through the process of finding yourself like Edna and the woman in Domestic Work did. â€Å"When are you most comfortable? Are you being true to yourself? You are in there somewhere. Judge on your own. Listen not to others. Look in the mirror. See beyond the image† (Coles 35-41). Coles encourages readers to not be influenced by the opinions of others, and instead, judge for themselves. In each text, the idea of taking your life in your own hands is present. Each of the poems and The Awakening displays themes of gender, relationships and independence. These themes help shape the stories and give the reader a greater understanding of the messages, as well as make connections to each of the characters.

Identify and briefly explain three reasons Essay

Due to rational thinking and the culture of todays’ society become less traditional, it could be that there is less time in people’s lives to believe in a Religion. As going to Church and worshiping takes time out of someone’s daily routine where they may feel they are needed more. The growth of state and democracy (disengagement) means that the state and the church are not as influenced by one another as they used to be, this means that there is not a great amount of pressure on people to attend church by the state. Religion on its own is not enough of a force for people to attend church meaning it is less influential. It could also be that due to the forward thinking of today’s society and like Grace Davie says, that people today are far more inclined to take a personalised view on religion, and that churches such as the Church of England are not in decline but are more privatised in the household home. 02) Using material from item A and elsewhere assess the view that, while the Church of England is declining, other religions and spiritual movements are flourishing. I aim to show that even though statistics say that attendance is declining in religious worship, that actually it may not be that religion is declining but the way worship is happening now has changed and there is in fact many more forms of religion. In item A it states that from a report by the Bible society that by 2025 only 87,800 people will be attending church, compared to the one million plus that attend church now. Weber and Comte also said that eventually religion would wither away due to the world changing and accepting science and science beliefs such as New Age and Scientology over religious explanations of the world, and the less emotions and traditions which are according to Weber the main characteristics of religion. As well as rationalism like Comte also conveys in a different way. Steve Bruce also says that religion is in decline as he took Comte’s ideas and made his own modernity thesis which said that Modernity was the main route for religion declining and that it was indeed declining. However  it was only declining because of certain key processes which are rationalisation the idea that rational thinking in the shape of science has replaced religious influence, disengagement the idea that the church and wider society are separate and not involved with each other, fragmentation of social life the idea that religious institutions have been pushed out of many institutions such as education and politics, loss of community the idea that community is being replaced by society and religious pluralism the idea that industrialisation has fragmented society into a marketplace of religions. Steve Bruce says that because of his thesis it is that religion is in decline, especially those of the traditional kind such as the Church of England this is because for religious decline to be happening due to the key processes happening all at ponce acting on each other. Bruce also says religion isn’t undermining education welfare and social control and as a result society is not learning about religion as they were pre modernity and so religion is declining as it is not being taught as it was before. It can also be argued that the religions such as the Church of England are not declining and spiritual movements are not flourishing just coming to light. This may be because the stats used to prove the decline in the Church of England by the bible society and others haven’t been collected by systematic collection. It may be that those who collect the data are only counting the heads that enter the church they don’t take into account those who aren’t able to make it to church. Such as those who worship by themselves in their time but also those who can’t make it to church, such as the elderly and instead worship privately and watch songs of praise. Stark and Bainbridge also supports this in their work but also disagree with Bruce when he says that during medieval period there were more religious people as they say that yes more people attended church in those tomes but they weren’t religious, they only attended as they had to because the squire made them, as they wanted to keep their pay and jobs. They were actually very disrespectful in the church service by belching and farting in the pews, now you don’t get those who don’t want to be in church in church and so religions such as the Church of England haven’t declined it is only those who are truly religious that now go to church. Grace Davie is another sociologist who believes that religions such as the Church of England are not in decline as she believes that society now doesn’t always leave enough  time for people to attend a place of worship but they do so privately. Private worship means that people may believe that as they don’t go to church or the place of worship they aren’t religious and assume religion is in decline however this is not true they are just choosing to worship in private. Due to the belief of crisis of meaning and uncertainty brought on by the postmodern or high modernity era that it is said we live in, it is true that spiritual movements are flourishing and coming to light. This is mainly because when people are searching for meaning and certainty they look towards the future for this and new spiritual movements can normally give this certainty but can also give a person an insight into themselves and help them discover themselves as an individual and what their meaning in the world is. In conclusion I believe that religious movements are not in decline as the supporting evidence is more and uses more historical and correct data than those who say religion is declining. It is also true that Bruce did not make his thesis based on data but based on what he thought, meaning that those for not in decline were more supported and there theories backed up by solid evidence and data.

Chapter 5 American Government

11. A plurality is more than half the votes cast. (false) -the state of being plural or numerous 12. A ward is a unit into which cities are often divided for the election of city council  members. (true) 13. An ideological party arises over a particular issue or crisis and soon fades away. (false) – they arise because of their beliefs on a matter and are long-lived. 14. Partisanship means membership in one of the major parties. (false) Partisanship is a noun meaning an inclination to favor one group or view or opinion over alternatives 15. hey bring people together to achieve control of the government. 16. divisive because if it wasn’t for the fact they need to eventually â€Å"make up† they would go their separate ways. 17. public officeholders , partisanship 18. inbred supported by the arrangements is a principle reason why challenging to the system. By minor parties. 19. Each of the parties have their own views, and each agree on weakness, religion, and othe r. 20. shared the same ideals, same basic, principles, and the same patterns of belief. 21. – federalist B- alexander hamliton and support constitution 22 a – civil war signaled it B one party domination 23 American political landscape – franklin Roosevelt election 24 The present era is known as the era of divided government. Neither party has consistently held on to the presidency. Congress is also usually controlled by the opposing party as well. 25- The four types of minor parties consist of the ideological parties, the single-issue parties, the economic protest parties and the splinter parties. 26. The Election of 1912 Roosevelt created The Progressive Party a. k. a the Bull Moose Party. Roosevelt beat Taft in electoral votes. 27 the president is the parties leaders 28. leader of the national committee 29. 1. Republican or demo. 2 split- ticketing voting 3. parties = open 4. changing of technology 31. yes because everyone has the own opinion and that is what the us is made up of.. everyone’s individual self’s. 32 minor parties aren’t even popular enough to vote and won’t even allow them to win. 33. commercials

Macbeth †a Study of the Criminal Mind Essay

Shakespeare delves straight into the theme of murder and the study of the criminal mind. The trio of witches subtly expose themselves to be concocting a devious plan in the first scene itself. â€Å"When the hurly-burly’s done. When the battle’s lost and won. That will be ere the set of sun. Where the place? Upon the heath. There to meet with Macbeth†. (I. i. 3-7) As the play progresses, Shakespeare reveals the underlying causes for the murders but stalls the unsettling outcomes, the effect of being a criminal. Each of the main characters in ‘Macbeth’ contribution to the central theme grows throughout the play. The Three Witches and Lady Macbeth’s manipulation of Macbeth and the growing insanity of the couple is an example of such cause and effect and can be related to real life. The Three Witches or the ‘weird sisters’, skulk like sinister thoughts and unconscious temptations to evil. Their cunning stems from their paranormal powers however, their true ability lies in exploiting the weaknesses of their interlocutors. Despite their absurdity through comical yet malevolent rhyme, are clearly the most dangerous characters in the play, being powerful and wicked. However, the audience is left to question the witches’ allegiance. They could be autonomous, toying with the human emotions, or agents of destiny who prophesize the inevitable. The Weird Sisters seem to have an intentional resemblance to characters in Greek mythology known as the Fates. They too were three sisters who controlled the metaphorical thread of life of every mortal from life to death. The Weird Sisters control the thread of life of all the major characters in the play, and it is in their power to do what they want to them. The prophecies foretold by the witches are seemingly self-fulfilling. Macbeth may not have murdered King Duncan if he was not pushed to do so by the witches, the night he and Banquo met the witches on the moor and had their futures told. â€Å"The thane of Cawdor lives. A prosperous gentleman; and to be king stands not within the prospect of belief. No more than to be Cawdor. Say from whence you owe this strange intelligence? Or why upon this blasted heath you stop our way with such prophetic greeting? Speak, I charge you. † (I. iii. 72-78) Shakespeare offers no easy answers in the play. He keeps these witches outside the limits of human comprehension. They embody an unreasoning, instinctive evil; that of a criminal mind. Lady Macbeth is already plotting the murder of King Duncan as we first catch sight of her in the play. Even from this, it can be seen that she is more cunning, more ruthless and more ambitious than her husband. Lady Macbeth wishes that she were a man, and could carry out the deed herself but she is aware that is not possible. Thus, she must push Macbeth into committing the crime for her. The link between gender and power is a key feature to Lady Macbeth’s character as Macbeth suggests that she is quite masculine and is limited because she had inhabited a female body. This creates a relationship between masculinity and ambition and violence (in some cases murder). Lady Macbeth and the witches are used by Shakespeare to emasculate Macbeth’s idea: â€Å"For thy undaunted mettle should compose nothing but males† (I. vii. 73-74). These shrewd women apply ‘female’ methods to achieve power and control. Manipulation of their husbands will thus further their desires. Shakespeare implies that men do not have to be the only ones who are cruel and power seeking but women also. Due to social limitations however, they are unable to pursue their ambitions. Macbeth feels the need to commit the murder to prove himself to his wife as she is able to manipulate him with noteworthy effectiveness. Lady Macbeth questions his manhood continually as inside, Macbeth is quite frail. He hesitates at first, but gives in as she overrides his protestations. Lady Macbeth stays stable as King Duncan is murder, and it is she who steadies her husband after the crime has been perpetrated. Shortly afterward, she begins to spiral down into insanity – just as aspiration affected her more strongly than Macbeth before the murder, does culpability plague her more strongly afterward. Toward the end of the play, she is sleepwalking through the castle, trying to wash away the guilt that stains her. Her sensitivity to the act becomes her one weakness. Lady Macbeth then kills herself, showing her inability to deal with their crimes. The initial impression of Macbeth is a brave, strong and capable man, as we first heard of him in the wounded captain’s account. This notion is becomes problematic once he encounters the three witches. It can be seen that Macbeth’s physical courage is joined by a tendency to self doubt – the prophecy that foretold him to be king brings him joy but also creates inner turmoil. He is manipulated into committing murders that he doesn’t truly want to do. Macbeth however, hides his feelings as he says â€Å"I am settled, and bend up each corporal agent to this terrible feat. Away, and mock the time with fairest show: False face must hide what the false heart doth know. † (I. vii. 79 – 82) He fluctuates between fits of fevered action, in which he plots a series of murders to secure his throne, and moments of terrible guilt (as when Banquo’s ghost appears) and absolute pessimism (after his wife’s death, when he seems to succumb to despair). Shakespeare uses Macbeth to show the terrible effects that ambition and guilt can have on a human who lacks strength in character. Often, examples in real life start off with an innocent person who is mentally incapable of handling such a thing, and is influenced by something in their lives. With this in mind, Shakespeare’s Macbeth truly is a study of the criminal mind. It can be seen through the inner workings of the Three Witches, the manipulation by Lady Macbeth and the growing insanity of both Macbeth and his wife, as they are not able to cope with the guilt of committing a series of crimes.

Negotiation Post 2 Essay Example | Topics and Well Written Essays - 750 words

Negotiation Post 2 - Essay Example Recently my parents had an argument over whether or not to buy a new car. My dad wanted to buy a new car since he had worked for such a long time making good money but had never driven his dream car- a Mercedes. My mum on the other hand thought that the money could be used to buy a new house instead of buying something as frivolous as a car. I asked my mum why she felt a new car was frivolous and why my dad wanted to buy one. She said that the money should be spent on something that can last and also be appreciated by everyone in the family instead of one person only. But she did not know why my dad felt so strongly that he should buy himself a new car. I then remebered Diamond discussing the idea that at times it pays off to concede in order to benefit in the future. I explained this to my mum as meaning- you would rather loose the battle than the war. Allowing my dad to buy the car would be loosing the battle but not the war. I asked her to go ask him and to listen intently and als o share her opinions. They had the dicussion and after that she understood where he was coming from. He felt that a man of his stature in society should be able to drive a good car after all his years of hard work. A skilled negotiator is one who can keep their eye on the â€Å"ultimate prize† and can thus afford to make certain compromises along the way but all in the aim of achieving the â€Å"ultimate prize†. Human nature dictates that once one person makes a sacrifice for another the other person then naturally feels obligated to reciprocate. I therefore asked my mum what her â€Å"ultimate prize† is and she said it was buying a new house because such investments were safe and they could be enjoyed by the family as a whole. I then told her not to lose sight of that objective because she would achieve it sooner rather than later. Fast foward seven years later, my parents who work together were rewarded handsomely for their efforts by a certain company and whe n I asked what they would do with the money, my mum simply said she had not decided yet. My dad looked at her sharply and asked if he did not have a say into how the money would be used and my mum simply said since she sacrificed last time then he had to sacrifice this time. Negotiation Post 2 Negotiation is often perceived to be a shouting match and about he who budges the least is deemed the winner. This is a misconception. On several occassions you find companies negotiating with their employees on their salaries and the company refuses to budge simply because it will be percieved as weak but the difference in increasing the employee’s salary would not have any effect on the company’s financial status. Stuart Diamond in his book Getting More states that negotiations are more about emotions than logic. It is therefore of paramount importance that the parties be on good terms. I recently worked in a law firm and a husband wanted to divorce his wife because they could not sort their differences out. From his demanour and speech you could immediately feel the anger and hatred between the two. I had to sit down with her lawyer as well and determine how the property would be shared out. Our client the husband was very wealthy before the marriage but he only truly cared about a certain piece of property that he had inherited from his father. He was willing to lose everything else but not that one. Acquiring this property was